Posts Tagged ‘black artist’

Afro-American Father’s Art, Creating for Everyone Today (A. F.A.C.E.T.) in the Community

Thursday, June 17th, 2010

When I blogged about motherhood in African American art, I mentioned two select negro artists (Sylvia Walker and Charles Bibbs) who valued maternity. In honor of Father’s Day, let’s, this time, spotlight one artist who really seems to get the notion of Pops…

Cbabi Bayoc is a product of St. Louis, Missouri, and there is more to his moniker than first meets the eye. His forename is shorthand for “Creative Black Artist Battling Ignorance,” while his surname is an acronym for “Blessed African Youth Of Creativity.” In terms of relevance to this blog topic, Bayoc himself is a dad to three kids (which, as you will see, is why he has such insight into fatherly love). So if you visit his personal artistic website, you will see many works devoted to the theme of fatherhood.

Cbabi Bayoc, along with his wife, also manage a confectionery store in the STL. There you the customer can satisfy both your sweet tooth and your love of fine black art at the same time. The duo have a bakeshop and studio website to represent their shop, so you can get a sense of what their establishment is all about.

In perusing both of his online sites, I noticed that Bayoc’s “pop” art exhibits certain recurring themes, and several of his pieces seem to cover more than one theme each. Now, I can’t link directly to any single art piece due to the flash nature of his domains. (Which is a small quibble I have with the sites: the extensive use of the flash app, again, makes it harder for web surfers to reference specific items; and, also, relevant graphic aspects of both sites might get buried in search engine results.) But I will try to point out each particular item by stating either its specific category and its sequence number under the “artwork” link at cbabibayoc.com, or just its sequence number in the paintings subcategory under the “sweet/art pics” link at the SweetArt site. (I hope that’s clear to you all, cause I done confused my damn self.)

Or, when possible, I’ll simply send you somewhere you can purchase a print of the item…

Back to those recurring themes, with named (in most cases) examples:

  • The concept of Father just being there when you need him – In Daddy’s Care; first steps, paintings, 9th in series; Daddy’s Love (negroartist.com is a prime source for…ummm…negro artists).
  • Paternal physical contact – sold artwork, 4th; sold artwork, 10th; safety net, paintings, 7th (As you can see, this piece contains elements in the Daddy’s Care piece)
  • Papa uplifting his kids (literally as well as figuratively) – available paintings, 4th; Daddy’s Shoulder.

I suspect that a lot of these Afro-American visual treats not classified as “sold” can be had for a price by visiting Bayoc and wife’s brick-and-mortar store on S. 39th Street. But if you can’t pay them a visit, and you got it like that financially-speaking, there’s no need to fret. Drop him a line at his artistic website (cbabibayoc.com) – by hitting the “CONTACT” link – and he can come out to your neck of the woods and whip you up a print. Something really personal and really good. Maybe something for your dad.

Even better…

A Passion for the Christ Art

Sunday, March 28th, 2010

To say that Jesus Christ has been the subject of several works of art in the almost two millennia since his death would be a huge understatement. The holidays and observances – Palm Sunday, holy week, Good Friday, Easter – of this post-Lenten time of year in the Christian calendar have especially been marked.

Many contemporary black artists (including one man in particular) and purveyors of black paintings have thrown their hat into the ring of art commemorating the events of the Passion: i.e. the sequence of events that led up to, those that occurred during, and those which immediately followed the death of Christ. Let’s look at those black art print versions, regarding these events, that are available for public consumption.

For each poster where the name of the artist of the original artwork is not available or not readily apparent (for example, his/her signature is illegible), I will try to declare such.

The Last Supper - BeaujourThe Last Supper - BarnesIn the eyes of many biblical historians, the Last Supper was the symbolic beginning of the end of Christ’s sojourn on Earth. All of the gospel books of the New Testament allude to the event. Pictured above are two distinct versions of that event, as seen by two different black painters. The one on the left is by the prolific Haitian artist Alix Beaujour , while the one on the right is the work of Cornell Barnes. Notice how Barnes’ version includes famous historical African-American figures like Martin Luther King, Frederick Douglass, Malcolm X, etc. I suspect that Beaujour’s work might also include renowned black men, but I cannot confirm that suspicion. (If someone recognizes a familiar face in Beaujour’s work, I would appreciate it if you could point it out in the Comments section of this blog entry. Thank you.)

If you clicked on the “Last Supper” link above, you will see that we at the day after carry a rendition of that noteworthy feast. Our art print features a very skillful remake of the original piece by Leonardo Da Vinci, and is a superior work in its own right (which is why we stock it).

Garden of GethsemaneOn the other hand, there are those theologians that believe that the Savior’s ultimate physical demise started in the Garden of Gethsemane (as a matter of fact, the controversial Mel Gibson movie, The Passion of the Christ, begins at this point in the gospels), whose events transpired immediately after the Last Supper. In the piece to the left by Diane Viera, Jesus prays earnestly as his disciples slumber peacefully in the background.

black-jesus-boundJesus WeptThe Giclee print to the far left represents the bound Jesus, a condition he endured from the time he was arrested all through his trial and sentencing. Meanwhile, the print on the right references the crown of thorns that was placed on the flogged Christ figure while he was on trial (as told in three of the four gospels).

Forgive Them Father - BeaujourTrue Passion - Johnny MyersDecent From the Cross - BeaujourBlack Jesus CrucifixionHere we have an array of paintings depicting Christ’s crucifixion. The top left print is by Beaujour. As you can see, it recalls that verse in the book of Luke wherein Jesus asks God (to paraphrase) not to punish his persecutors because they were unaware of the extent of their actions. In True Passion (right, top), by Johnny Myers, we see the clouds of darkness that rolled in during the sixth hour of the day of Christ’s death.

Monsieur Beaujour is also responsible for the bottom left work in the quartet, wherein a soldier pierces the side of a now deceased Christ. And the last picture (bottom right) in the sequence is a final look at a crucified Christ on the cross after being pierced.

Descent From The Cross - AshkarDecent From the cross 2 - beaujourWeep Not For He Will ReturnBlack ResurrectionThese next set of prints depict, in order, the sequence of events that took place in preparation for Jesus’ burial: from the removal of his body from the cross (top pics), to the lamenting over his lifeless body (bottom left print), to the conveyance of his mortal coil to its temporary resting place by Joseph of Arimathea (last poster). In this final picture, you can plainly see the spirit of Christ has left his body. Two of the four prints are by Beaujour…

The Living CrossThe art montage here shows scenes from Jesus Christ’s earthly ministry. But as far as this blog entry is concerned, I’d like to point out the depiction of his resurrection to the right, as a consequence of his crucifixion (pictured center). Vincent Barzoni stays consistent with his illustration of both Christ’s slain body and his risen form from his Black Resurrection painting above.

Doubting ThomasTo the left is a visual recounting of the tale of Doubting Thomas: that disciple of Christ that did not believe that the resurrected figure of his master was indeed standing before him. That is, until he himself had touched the holes in the Christ’s hands and placed his fingers in the Christ’s pierced side.

Actually, on the aforementioned Alix Beaujour page at negroartist.com (a site I can’t stop raving about ever since I first started discussing African-American art), you can view his graphic interpretation of the Doubting Thomas story.

As you can see and as you would expect, religion is a profound motivator when it comes to art. Great artists like Beaujour, inspired by Scripture, will always create great faith-based art (just as inspired composers will create great music) as long as humankind is alive.

For, as it has been said, Art without Passion is meaningless…

How to Arrange Your Black History Stamps

Saturday, January 30th, 2010

After reviewing my last entry on the history of Haiti and Haitian stamps, I thought of ways you might, if you’re into stamp collecting, want to arrange your valuable stash. Since it’s Black History Month, I thought I’d use the artful Black Heritage Series of stamps to offer a few suggestions towards that end. (Besides, I was thinking of taking up the hobby myself, and I needed a starting point.) But , of course, you can always use my suggested methods for any collection that contain items with both a common theme and a human focus.

As you can see from the display at ESPER (the Ebony Society of Philatelic Events and Reflections), one stamp of this series has been issued every year since 1978. Therefore, as of today, the set contains 32 postage pieces. (In June 2010, Oscar Micheaux the filmmaker will be the 33rd person to be honored in this array by the United States Post Office.)

The simplest way to obtain all of the current stamps of the series (since many of them are hard to come by), as well as stamps depicting other notable African Americans plus a collection binder for storage, is to shop at the Black Heritage Commemorative Society. (Caveat emptor – I personally have not purchased from this organization, so I make no claims as to the validity of their offers. If you do buy from them, you do so at your own risk.)

There are two things you should keep in mind before we look into arrangements (the purpose of this article). First of all, you can either treat the following sorting options like a restaurant menu wherein you select an item from a “Column A” and one from a “Column B”, or you can look at the suggested classifications as a buffet and take items liberally from both sections.

Secondly, several of these suggestions are made with tongue firmly planted in cheek. The point of this exercise is mostly to have fun and enjoy the action, which is what the act of collecting and displaying should be about. And wouldn’t it be nice to throw a viewer of your album collection for a loop as they try to decipher what organization system you employed? (Okay, maybe it’s just me…)

How to Group Your Black History Stamps (”Column A”)

You can broadly sort your Black Heritage stamps in one or several of the following ways:

Grouping I: by vocation. They who are depicted in this series come from all walks of negro life. I thought I’d take a stab at this grouping (and this one only), just to get my feet wet as a stockpiler. The particulars of the rest of the groupings I will leave to your own ingenuity.

LEADERS & ACTIVISTS Harriet Tubman, Martin Luther King, Jr., Whitney Moore Young, Sojourner Truth, A. Philip Randolph, Ida B. Wells, W.E.B. DuBois, Malcom X, Roy Wilkins
SCIENTISTS & INVENTORS Benjamin Banneker, Jan E. Matzeliger, Percy Lavon Julian, Ernest E. Just
ATHLETES Jackie Robinson
ENTERTAINERS (Actors, Singers, Musicians) Scott Joplin, Paul Robeson, Marian Anderson, Hattie McDaniel, Ella Fitzgerald
TEACHERS & EDUCATORS Mary McLeod Bethune, Anna Julia Cooper
ENTREPRENEURS & PIONEERS Jean Baptiste Pointe Du Sable, Bessie Coleman, Madam C.J. Walker
PROFESSIONALS Dr. Allison Davis
SCHOLARS & AUTHORS Carter G. Woodson, James Weldon Johnson, Charles W. Chesnutt
PUBLIC SERVANTS Benjamin O. Davis, Sr., Patricia Roberts Harris, Thurgood Marshall
LITERARY & VISUAL ARTISTS Langston Hughes

Grouping II: geographically. You can file these historical figures, according to their birthplace, into North, South, Midwest, and West categories or some variation thereof. If you adopt this grouping, you can arrange lineups even further by state and/or city. More on that later…

Grouping III: by artist. Jerry Pinkney, Thomas Blackshear, Higgins Bond, Chris Calle, Richard Sheaff, Henri Cartier-Bresson, Albert Slark, Tim O’Brien, Paul Davis, Kazuhiko Sano, and Kadir Nelson have all created graphics for the items in this philatelic project. (Pictured below are a few of the more prolific designers.) Each illustrator name can be a heading unto itself.

Grouping IV: by scholastic achievement. Here are some classes (pun intended) for the boojie-in-spirit: College Graduate, No Formal Schooling, and Academic Dropout. Something you might want to contemplate is how to categorize people who were “self-educated” or “self-taught.”

You’ll notice – it’s impossible to miss when reading the respective biographies of these notables – that there has been many an historical black person who can fall into more than one category, especially when you group figures by trade. For example, G. W. Carver was both a renowned botanist (and thus a member of the scientist category) and he taught others (as an educator). Also, J. W. Johnson started out as a principal (an educator), but went on to become an author as well as a musician.

But these slight incongruities are all part of the organization process. To reiterate, trying to pigeonhole the names on a list to fit into specific categories, and coming up with more inclusive or (alternatively) more exclusive categories are both just plain fun.

How to Order Your Black History Stamps (”Column B”)

Here are several ways to arrange the Black Heritage postage in a given assembly, or in your entire set as a whole. You can arrange the pieces by:

  • Date of Issue, chronologically by year of stamp release. This is probably the default manner to arrange your collection. (But for more unconventional methods, read on…) The stamps are displayed in this way at ESPER.
  • Name, alphabetically by subject (African-American figure) surname. This method, of course, may also be one of the more natural ways to do things. Or if you feel that comfortable with these prominent black personages, place their seals by forename.
  • Year of Birth, chronologically by subject date of nascence. Alternatively, you can begin with the man or woman born most recently and end with he/she that was born earliest in time.
  • Longevity, numerically by subject lifespan. This list can be in either ascending or descending order.
  • Height, numerically by subject vertical stature. Only try this if you’re especially enterprising, and believe you are the greatest researcher who ever lived. Again, archive in order of either increasing value or decreasing value.
  • Year of Death, chronologically by subject date of demise. Feeling particularly morbid? This one’s for you – store from the earliest moment one of these Afro American stalwarts passed away to the latest moment, or vice versa.
  • Place of Birth, alphabetically by subject hometown. You can tackle this one of two ways (at least) – the first method is to group by state, then alphabetize by city name within each state grouping. On the other hand, you can just order all 32 stamps by subject city, regardless of state considerations.

These are just a few grouping and listing ideas to get you started. If you play around with concepts and themes and also look closely at the lives of these Black Heritage honorees, you might be able to come up with other conforming standards. (As a matter of fact, when I thought long and hard enough, I came up with a system that might be a little too grim for this relatively lighthearted topic. If anyone asks me for the details of this system under the Comments section, I’ll be more than happy to share it with you…)

If you do read extensively about all of these great men and women, yet no organization ideas come to mind, at least you would’ve learned a history lesson or two. And I ask you, “What’s wrong with that?” :)

For more stamp collecting tips and resources, visit Learn About Stamps.

Jerry Pinkney

Jerry Pinkney

Thomas Blackshear

Thomas Blackshear

Higgins Bond

Higgins Bond

Richard Sheaff

Richard Sheaff

Time Stamping: A Brief History of Haiti

Saturday, January 23rd, 2010

In light of the recent catastrophic earthquake event in Haiti, and the knowledge that this event has only served to exacerbate the country’s existing human condition, I thought we’d take a look back at that nation’s history. And do so via the Haitian stamps that have been issued over the (stated) years.

Beginning with the national coat of arms and its motto “L’Union Fait La Force” (that translates to “Unity Creates Strength” from the French), which appear on many stamps, each piece of postage art tells a story.

(Fun Fact: Louis Vergniaud Pierre-Noel, who married African-American artist Lois Mailou Jones, was a famous Haitian-born graphic designer who created stamp drawings for his country’s government during the mid-20th century.)

Haitian Revolution and Independence

revolt1968.
As you can probably surmise from the artwork, this stamp is in honor of August 22, 1791 – a night that saw a national uprising of black slaves against whites across the country. A great rebellion, which would lead to a Revolution, which would then ultimately lead to Haiti’s freedom, was underway…

L-Ouverture1904.
In the late 18th century during the Revolution , Pierre D. Touissant L’Ouverture became perhaps the most successful Haitian military figure of all time. He led the revolting black slaves of his army to many victories over not only the ruling French imperial forces, but also forces of both the Spanish and British empires.

Dessalines1904.
Jean-Jacques Dessalines was a one-time lieutenant during the Revolution, graduating to top commander upon the capture of his predecessor (L’Ouverture). He then went on to become the newly-independent nation’s first emperor, from 1804-1806.

Capois1946.
Depicted in the first stamp is Capois-La-Mort (”Capois The Death,” in French), the nickname of Francois Capois. He was an army officer under Dessalines and is renowned for his exploits of November 18, 1803 (as stated in the art piece).
Battle of Vertieres1954.
During the Battle of Vertieres – which is commemorated in the second stamp – he defied his very demise numerous times in leading his men in the seige on a vital, French-held fort.

These are but a few of the many stamps dedicated to the persons and places of the Haitian Revolution. The sheer amount of postage that reference this conflict is a testament (understandably so) to the importance of that episode in the country’s birth and overall history.

Petion1904.
Alexandre Pétion, who played a role in the Revolution, became the president of the Southern Republic of Haiti after the kingdom was split into two upon the death of Dessalines in 1806. He was known as a kind-hearted leader during his tenure (which lasted until 1818) for his fair treatment of peasants and loyal supporters alike, and he believed, heavily, in the importance of education.

Haitian Self-Rule and Turmoil

Lysius Salomon1887.
This stamp features Lysius Salomon , the president of the republic from 1879-1888, and the man who established the Haitian postal system. He also made varying degrees of improvements to the country’s educational , agricultural, and banking systems.

Tiresias Simon Sam1898.
Depicted here is Tiresias Simon Sam, one of only two Haitian, 19th-century, Heads of State who were allowed to complete their respective tenures in office (although he resigned on a technicality a few weeks before his six-year term was up).
What’s important for the reader to note here, if you follow the above link, is that the starting picture for this bit of postage seems to be an official state photograph. (I previously discussed the benefits of using presidential portraits in the production of collectibles and memorabilia.)

la crete-a-pierrot1943.
In September of 1902, the captain of a cruising Haitian gunship blew up his own vessel to avoid capture by a German-manned warship. This stamp marks that singular event in the country’s lore and, much like the slave revolt of 1791, the event is a symbol of Haitian spirit and defiance.

Pierre Nord Alexis1906.
Pierre Nord Alexis presided over Haiti from 1902 to 1908. His administration, though widely perceived as corrupt, was devoted to public works – it commissioned the building of such structures as a Court of Justice, a grand Cathedral, and several railroads. Alexis’ visage on this 1906 stamp, as with Sam’s on his seal, also seems to have been culled from his presidential photo.

Haiti, US Occupation and Beyond

Charlemagne Peralte1988.
It was during the early years of United States military authority (established in 1915) in Haiti that Charlemagne Peralte, a rebel, became a national hero among the nation’s citizens. He and his anti-American followers carried out many guerrilla attacks against the enemy, before he was finally killed by a US marine in 1919.
Borno1924.
President Louis Bornó (in office 1922-1930) was instrumental in Haiti’s economic, structural, and educational reconstruction under American rule. He played the game of politics and international diplomacy quite well; as witnessed not only by his cooperation with the occupying force, but also by his meetings with French catholics, and the presidents of both the United States and the Dominican Republic.

Sténio Vincent1944.
The presidential term of Sténio Vincent, lasting from 1930 to 1941, finally saw the withdrawal of US troops from Haiti (in 1934). While Vincent continued the improvement of national infrastructure and services started by Borno, his predecessor, he also took self-aggrandizement, public censorship, and government corruption to disturbing levels.

François Duvalier1958.
François Duvalier was the president known as “Papa Doc.” Even though his regime of nearly 14 years was plagued by political oppression and national decay – in large part via the Brain Drain phenomenon – he was widely popular with the rural black majority of his country (hence the familiarity of his nickname). He often fancied himself to be god-like in stature…

As with many countries with relatively short longevity (like the United States), Haiti has done a remarkable job over time of commemorating its noteworthy people and occurrences through the release of stamps. These are just some of the prominent Haitians and events, good and bad, that have made the country what it is today.

This is by no means a comprehensive list of all of the stamps related to Haitian history. (To be honest, I’ll say these are just the stamps I could get my mouse on.) Nor is this a complete archive of important moments in this nation’s annals. To broaden your knowledge about these stamps, join the Haiti Philatelic Society. If you’re looking to buy postage memorabilia, visit Delcampe Auctions and search the word “Haiti”. For more Haitian history, don’t miss this university course.

And, of course, you can lend a hand to the relief effort in Haiti by going to redcross.org.

Lois Mailou Jones: An Artist, and a Life, of Color

Friday, December 25th, 2009

As I stated in a previous post about African-American masters, I love me some North Carolina artists…

The Mint Museum of Art in Charlotte, NC is currently holding an exhibit for the renowned black artist and painter Lois Mailou Jones. The exhibit is entitled (appropriately enough) Lois Mailou Jones: A Life in Vibrant Color and runs until just about the end of next February (2010).

Technically, the late Ms Jones was not native to this state – she was born and grew up in Boston, MA. However, she did establish the arts department at the (now defunct) Palmer Memorial Institute near Greensboro.

If you read my previous article, you’ll know that I also will not pass up a chance to stock and to promote the products of any famous artist who has done this state proud. Our store’s Les Fetiches poster (”Les Fetiches,” in French, meaning spiritual/religious items or charms believed to possess special powers) is based on Lois Mailou Jones’ oil painting of the same name. That original work was created by her in 1938, and now resides in the Smithsonian American Art Museum (as you can see from the poster’s image).

For a bigger, better, and badder representation of Ms Jones’ Les Fetiches painting, as well as her other artwork, go to negro artist .(I really can’t recommend this site enough for lovers of African American art.) Since approximately 70 of her pieces will be exhibited at the Mint Museum, most, if not all, of the pictures at this website will likely be on display in Charlotte.

To hearken back to my past entry on black artists one more time, Lois Mailou Jones is coincidentally one of the feature artists being profiled in the Art of the Masters exhibit – which will be running concurrently in North Carolina (in Fayetteville) along with her aforementioned solo exhibit. And, as with Romare Bearden, if you’re worthy enough to be in the Masters exhibit, you’ve got to be in the (beware another Tarheel-based product shout, and a shameless plug) African American Masters Wall Calendar. In the additional image on that product page, see if you can spot the painting that is hers…

Lois Mailou Jones, 1905 - 1998

Lois Mailou Jones, 1905 - 1998

African American Masters of Art

Wednesday, December 9th, 2009

For those of you who appreciate African-American art in particular (and American fine art in general), there is an exhibit currently touring the country called the Art of the Masters: A Survey of African-American Images, 1980-2000.

The traveling exhibit, brought to you by the National Conference of Artists (see picture below), started in the city of New York and will now make its way to Fayetteville, NC. For those of you who’d like to attend the exhibit, it will be at the Arts Council of Fayetteville/Cumberland County from January 22 until March 3, 2010. The Friends of African and African-American Art program deserve credit for funding the North Carolina leg of this tour. (Visit the FAAA program page to learn more about it and to join.)

National Conference of Artists logo

National Conference of Artists logo

This blogger is based in the Tarheel State, and, personally, it’s nice to see that the NCA chose a city in this state as its only stop in the southeast. Speaking with a certain bias, I think that decision is only fair, since many acclaimed Afro-American artists have hailed from this state – artists that include John Biggers, Ernie Davis, and Romare Bearden.

As a matter of fact, we at the day after have a special appreciation for the latter black artist, who is one of the masters whose works are featured in the exhibit. That is why we stock the 2010 Romare Bearden Wall Calendar which depict several of his prized pieces (the names of which you can read in the calendar’s product description). One of his paintings is also included in the appropriately-titled 2010 African American Masters Wall Calendar. Naturally, we think these calendars are keep-sakes for any connoisseur of fine black art. To see even bigger and better renditions of his works , head on over to the Romare Bearden page at negroartist.com.

Fred Romare Harry Bearden

Fred Romare Harry Bearden, 1911-1988

Keeping it in North Carolina (Did I mention that I was a state resident with an affinity for local ethnic artists? :) ), I’d also like to bring up  the native-born Biggers, another feature artist in the Art of the Masters exhibit. He is one of twelve black painters and collagists whose masterpieces appear in the 2010 African American Art Wall Calendar. You can read off the names of the other artists represented in the calendar. To say that those other artists (which, as you can see, includes someone by the name of Romare Bearden) are/were “half-way decent” would be an understatement…

Dr. John Biggers, 1924 - 2001

Dr. John Biggers, 1924 - 2001

If you’re yearning to see some of John Biggers’ best African-American paintings in somewhat-limited glory (because no web browser can do any of them justice), I once again advise you to visit negroartist.com.